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It is rare that opportunity invites an artist to revisit a work. It is rarer still that the artist accepts that challenge. And times three is that rareness when that artist be William Blake. The commission was simple: to illustrate a two hundred year old mask, a chamber play by the celebrated John Milton, often considered the greatest of English poets, author of "Paradise Lost," prolific, honoured, revered.
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Although commonly referred to as simply "Comus," the titular temptor, villain and vagabond of the tale, it was fully and properly titled "A Maske presented at Ludlow Castle, 1634: on Michaelmasse night, before the Right Honourable, John Earle of Bridgewater, Viscount Brackly, Lord President of Wales." Blake twice took up his pen and brush to illustrate this treatise on chastity. Both renderings are offered here in comparison and with a Sahaj commentary that strips it all back to the barest of...
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