THE DYNAMICS OF POWER IN MUSIC

Description

Power and life are dynamic in nature, they can take forms that are oddity in our sight if viewed with uncommon perspective and rapt attention. Such is the case of music which has become our generic wonder, likened to the sun whose radiance has been scorching and finding inevitable expression in our daily existence, connoting power penetration through the windows and curtains of our homes calling on us to come and behold the extent of its magnificence. It is commonality of archaic and modern existence that music and power work hand-in-hand. In fact, music creates an atmosphere of power and meaning, enabling places to wear unfamiliar appearances.

The germane enquiry is: how does music create an atmosphere of power and meaning, causing interrelations? It does when we acknowledge the fact that music, power and some of the factors associated with them can lead to the creation of wonderful experiences and they are one of the subjects of power dynamism the world is yet to take a wide glance at, be wowed by the discoverable factors one can gain and the prestige they can confer on mankind. The unravelling of these dynamic factors that will be thoroughly explicated has never been combined before, let alone have the opportunity of being encapsulated in a compendium like this.

This book is about merging minute concept of power and little concept of music to expose depths that control and affect mankind generally but in musical parlance, which is designed to help man navigate his path towards power derivation. This exposition portrays the fact that music is powerful and power to a large extent has become the rhythm (music in form of instructions/machinery of control) people have been dancing (adhered) to before now and hitherto. The inquisitiveness about little knowledge of music being one of the peculiarities of power dynamism that exist in the world is evident in this volume 1 exhibition!

About the Author

Kehinde Ezekiel is an astute personality, a critical thinker, a prolific writer and gifted a bit in music. He graduated from the prestigious Yaba College of technology, Lagos, Nigeria where he studied journalism as a discipline and also made landmarks before graduation. He was the vice president of celestial fellowship and loves inculcating right values in other people. He was also the technical director of Nigerian Christian corpers’ fellowship, Ondo state, Nigeria. One of his major purpose in life is constantly utilizing great-tailored letters and well-thought-out ideas to positively shaping the perceptions of many lives, through the function of the previous trainings including his wealth of experiences he had undergone in recent years from his past and immediate mentors as a protégé.

As part of his inquisitive nature, he underwent some professional trainings which enhanced his tactical and mental dexterity. He is a certified professional in project management where he learnt the art of modern management, a human resource professional where he saw people as great resource and a health safety officer where he learnt the technicalities of health safety under the auspice of international institute for project and safety management (IIPSM). To foster his keenness of mind and further his achievement in and outside his field, he attended academic and non-academic seminars, lectures, symposiums, exhibitions, conferences, teleconferences, research meetings and workshops which contributed to some of his personal discoveries about life.

He is also the author of two non-fiction series (this book and the one titled: The dynamics of power in music) and he wrote four chapbooks (pointillism, ageless face, unsung hero and disfigured) you would be glad encountering. He likes singing, drumming, traveling, reading and writing all forms of creative works ranging from non-fiction, poetry and quotes to varieties of essay. His flair for art as burning desire made him venture full-time into the world of writing and music production, in order to create new possibilities and explore brilliant experiences.

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