You can access the distribution details by navigating to My Print Books(POD) > Distribution
Childhood denotes that stage in human life when, innocence, by common consent, is taken for granted. Childhood and innocence often go hand in hand and are considered almost synonymous. The delightful coexistence of these two blissful states of life is assumed to offer at least a momentary glimpse of the beautiful and the eternal amidst the transient and the fleeting.
It is impossible to speak about light without a word about shadow, about stillness without a word about noise. Likewise, it is impossible to discourse at length on innocence without recourse to evil. Shakespeare’s Caliban is a “born devil”. But can man, the so-called crown of creations, be a born devil? If not where does evil come from? Is evil an illusion, an error of the mortal mind?
A world of innocence is an illusion; it exists only in the world of imagination and fantasy. What ought to be will never be there in this war-torn and terror-stricken world. The sacrosanct image of the child as the incarnation of innocence has been wrinkled beyond recognition. However, there is no point really in weeping over a world that we once thought to have existed. It was all a mirage. Post-innocence casts aside this veil of ignorance and lets in a fresh awareness about both the myriad facets of human nature and the fluctuating fortunes in the perennial fight between Good and Evil.
Currently there are no reviews available for this book.
Be the first one to write a review for the book Innocence as Ignorance: Aesthetic Prognostications in James and Golding.