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The artist’s eye and philosopher’s spirit which are Roerich’s, are as a magnet. Drawn by their power, there flows into Roerich’s being a stream of experiences which he is able to transmute into beauty by that spiritual alchemy which is possessed by the teachers of men.
In “Shambhala the Resplendent,” Roerich has recorded the way of his journey through Central Asia and Tibet in the terms of spirit. It is a record of legends, of parables, of notes—the very substance of which the larger reality is composed, and all revealing different facets of the theme of Shambhala. In this book—as in his other books, “Altai-Himalaya” and “Heart of Asia,” one realizes that Roerich’s vision is manifold. Traveling on his way, he discerns all the beauty of the natural spectacle through which he passes. And in his works—as in his paintings— he records this panorama in successive sparks which flow into...
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