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The Terrorist’s Journal consists of nineteen memoranda with alternating points of view between a butterfly and a terrorist, penned as though chronicling the swiftly passing life of a revolutionary or terrorist. Nandy has chosen to enmesh the motifs of dreams and identity with substantiality, as though there lies no border between the two concepts constantly encroaching upon one another.
A butterfly denotes “transition.” Terrorism, despite being a great evil, still aims to drastically shift a notion. It is to be noted that these poems in no way justify the infliction of fear in ordinary folk, but try to display that some people revel in the idea of a glorious death within the depths of their subconscious, so much so that the looming guillotine before their eyes gives them a feeling of inebriation.
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