Appearance , continuity for certain period of life journey and then decay , is the usual course of life in this universe and those who realize this ,must control and regulate their emotions and purify their deeds and actions, step by step, to get liberated ie, to assimilate to the final entity,though past deeds and karmas do regulate and control their actions .Those who understand and follow these normal course of life, possess sound mental hygiene and concentrate to know their own soul ( the Atman) within. On the other hand, one becomes ruthless , destructive even insane ,exposing himself foggy with fear, ignorance, despair, selfishness and superstitions resulting one’s behaviour more of an animal and not a social being. Such existing ones , face and fall into various life cycles, if ,they do not try to know themselves and do not have an integrated view of life.
We are here, on this earth, in a new materialistic body life, as human beings.
The ‘ Primordial self ’ or ‘Parmatman’, has given us existence,here, as His aspect,
‘the Atman‘ to lead a blissful life , full of harmony ,peace, love and universal brotherhood. These beautiful aspects ,one can reveal and copy, when ,one is nearer to Almighty. The moment you start acting , as per your own soul ie. your own sense of righteousness, offered by the Creator, the ‘ Parmatman ’ , you , day by day reach nearer to Almighty, to lead a blissful life. This is the only truth.
‘Pooryita ‘ , emerges here , with some specific motif of the poetess.The imagination and aim is to explore, express, present or to introduce , something new to this world in literature, through an ornamented style of applying hybridism of different languages .

Often, while going through the texts , we find hybrid words in Hindi literature , a mix of English words in Hindi as ‘Videshaj ‘ Sanskrit words in Hindi literature as ‘Tatsam ’, or Hindi and Urdu etc. We normally find a common trend of mixing words from Urdu language in Hindi literature , written as ‘ghazals’, to express the affectionate and loving desires of partners . Here the poetess ever felt , deeply influenced and impressed by the nation’s beautiful aspect of mingling various culture and traditions and thereby glorifying ‘ Bharatwarsha’, as a unique nation with perfect unison of various thoughts and beliefs , concepts and approaches , life styles , deeds and achievements , before the world . The notion thus formed , inspired the poetess , to hybrid some beautiful words from Urdu literature in Hindi language and create couplets , named as ‘Shahkaars’, to derive and fulfill the best aims and objectives or to offer our prayers , to only ‘ Sat ’- the ‘Parmatman’ , which controls , regulates , liberates and even assimilates or completes you too with His entity ( the supreme power) . The power that differentiates between genuine - ingenuine , good - evil , pleasures and pains and brings you step by step, get closer to ‘ Atman ‘, and leads you towards the omnipresent , omnipotent and the benevolent Lord Vishnu , the Almighty , who has been indicated ‘Purna’, (पूर्ण ) in Hindi literature for completion to all.
Describing and defining the same , I must declare here, that these beautiful couplets in the name of Almighty called ‘ Shahkaars’, could be both recited, tuned or sung on musical notes to call ‘Parmatman’.
Feeling Lord’s existence within ourselves , our heart always craves for Him .Pray , these ‘ Shahkaars ‘ stand as the best assets for musicians and singers .
‘Pooryita‘, in fact , is a way to righteousness ,that leads towards complete meritorious entity , the supreme power ie. ’Parmatman’, through ‘Shahkaars’, ( शाहकार ) in Hindi.